1. Mac Os Catalina
2. Prometeo Mac Os 11

0.18.0 / 2020-10-12 Release notes: File name OS Arch Size SHA256 Checksum; blackboxexporter-0.18.0.darwin-amd64.tar.gz: darwin: amd64: 8.35 MiB.

Apr 26, 2021 From the Apple menu  in the corner of your screen, choose About This Mac. You should see the macOS name, such as macOS Big Sur, followed by its version number. If you need to know the build number as well, click the version number to see it. Which macOS version is the latest? Prometeo (Prometheus) is an 'opera' by Luigi Nono, written between 1981 and 1984 and revised in 1985. Here the word 'opera' carries the generic Italian meaning of 'works', as in work of art, and not its usual meaning. Indeed, Nono scornfully labels Prometeo a 'tragedia dell'ascolto', a tragedy of listening. Objectively it can be considered a.

Mac Os Catalina

Prometeo (Prometheus) is an 'opera' by Luigi Nono, written between 1981 and 1984 and revised in 1985. Here the word 'opera' carries the generic Italian meaning of 'works', as in work of art, and not its usual meaning. Indeed, Nono scornfully labels Prometeo a 'tragedia dell'ascolto', a tragedy of listening. Objectively it can be considered a sequence of nine cantatas, the longest lasting 23 minutes. The Italian libretto, by Massimo Cacciari, selects from texts by such varied authors as Aeschylus, Walter Benjamin and Rainer Maria Rilke and presents the different versions of the myth of Prometheus without telling any version literally.

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Vocal and orchestral forces[edit]

Prometeo in its final form (1985) is scored for:^[1]

Prometeo Mac Os 11

• 5 vocal soloists (2 sopranos, 2 altos, 1 tenor)
• 2 speakers (one male, one female)
• choir (12 singers)
• 4 orchestral groups, each consisting of: flute/piccolo, clarinet, bassoon, horn, trumpet, trombone, 4 violins, viola, cello, double bass
• 7 glasses
• 6 instrumental soloists: bass flute/piccolo/C flute, contrabass clarinet/clarinet in B♭/clarinet in E♭, trombone/tuba/euphonium, viola, cello, double bass
• 2 conductors. Sounds from the vocalists and instrumentalists are electronically manipulated. The duration of the final version is given as 135 minutes.^[1]

Nine sections[edit]

The work's nine sections are:^[1]

• Prologo
• Isola Prima
• Isola Seconda
• Interludio Primo
• Tre Voci (a)
• Isola Terza – Quarta – Quinta
• Tre Voci (b)
• Interludio Secondo
• Stasimo Secondo

Performance history[edit]

At the premiere of the first version, at the Church of San Lorenzo in Venice on 25 September 1984, Claudio Abbado was the conductor, with the Chamber Orchestra of Europe, a choir from the Hochschule für Musik Freiburg, and the following vocal soloists:^[1][2] Ingrid Ade, Monika Bair-Ivenz, Bernadette Manca di Nissa, Susanne Otto, and Mario Bolognesi. It is not clear whether a Conductor II was deployed. The revised and final Prometeo premiered at Teatro alla Scala in Milan on 25 September 1985, conducted by Peter Hirsch.^[3] Nono banned all photography of the production in an attempt to stop what he called 'artistic consumerism.'

Prometeo had its first international premieres in France and Germany in 1987. The performances at Festival d'Automne in Paris and Alte Oper Frankfurt featured Ensemble Modern and conductors Friedrich Goldmann and David Shallon.^[4] The work was later also presented as part of the Berliner Festspiele in September 2011 under Matilda Hofman (Conductor II) and Arturo Tamayo (Conductor I); Cyndia Sieden, Silke Evers, Susanne Otto, Noa Frenkel, and Hubert Mayer were the vocal soloists, with the Konzerthausorchester Berlin. Its South American premiere took place at Argentina's Teatro Colón, in November 2013.^[5]

Recordings[edit]

• EMI Classics 5 55209 2 – 1993, live in Salzburg: Ingrid Ade-Jesemann, Monika Bair-Ivenz, Susanne Otto, Helena Rasker, Peter Hall; Solistenchor Freiburg; Ensemble Modern; Ingo Metzmacher, conductor^[6]
• Col Legno WWE2SACD20605 – 2003, live in Freiburg: Petra Hoffmann, Monika Bair-Ivenz, Susanne Otto, Noa Frenkel, Hubert Mayer, singers; Sigrun Schell, Gregor Dalal (speakers); Freiburg Soloists’ Choir, ensemble recherche, Soloists’ Ensembles of the Freiburg Philharmonic and SWR Symphony Orchestras, Experimentalstudio Heinrich-Strobel-Stiftung of the SWR Freiburg (André Richard, director); Peter Hirsch (1st conductor), Kwamé Ryan (2nd conductor)^[7][8]

References[edit]

1. ^ ^abcd'Peter Hirsch' (in Italian). Fonazione Archivio Luigi Nono Onlus. Retrieved 25 June 2019.CS1 maint: discouraged parameter (link)
2. ^Spangemacher, Friedrich, 'First Performances: Nono's Prometeo' (December 1984). Tempo (New Ser.), 151: pp. 51–52.
3. ^'Peter Hirsch'. Schott Music. Retrieved 22 May 2019.CS1 maint: discouraged parameter (link)
4. ^Programme book, Luigi Nono – Festival d’Automne a Paris., Edition Contrechamps, Paris 1987
5. ^Teatro Colón (2013). Prometeo, Tragedia dell’AscoltoArchived 2013-11-10 at the Wayback Machine. Retrieved 2 September 2013 (in Spanish).
6. ^Hodges, Nicolas, Review of recordings of Luigi Nono's Intolleranza 1960 and Prometeo (July 1996). Tempo (New Ser.), 197: pp. 50–51.
7. ^Andrew Clements (4 January 2008). 'Nono: Prometeo, Hoffmann/ Otto/ Mayer/ Schell/ Solistenchor Freiburg/ Ensemble Recherche/ Soloists of the Freiburg Philharmonic & SWR Symphony Orch/ Baden Baden/ Hirsch/ Ryan'. The Guardian. Retrieved 2008-01-08.CS1 maint: discouraged parameter (link)
8. ^'Luigi Nono (1924–1990) / Prometeo, tragedia dell'ascolto (1981/1985)'(PDF). col-legno.com. 2007. Retrieved 25 June 2019.CS1 maint: discouraged parameter (link)